{"id":1103,"date":"2024-04-12T09:34:26","date_gmt":"2024-04-12T07:34:26","guid":{"rendered":"https:\/\/www.danielemonarca.it\/wordpress\/?p=1103"},"modified":"2026-01-11T16:15:07","modified_gmt":"2026-01-11T15:15:07","slug":"nihil-obstat","status":"publish","type":"post","link":"http:\/\/www.danielemonarca.it\/wordpress\/?p=1103","title":{"rendered":"Nihil Obstat"},"content":{"rendered":"\n<p>Attivit\u00e0 editoriale fai-da-te, scritti d\u2019occasione e pagine sparse.<\/p>\n\n\n\n<p>LIBRI E QUADERNI<\/p>\n\n\n\n<p><strong>Sylvester dice cose<\/strong><\/p>\n\n\n\n<p>Esercizi di pareidolia, tre. 2022. Nihil Obstat.<\/p>\n\n\n\n<p>Rocky, Rambo, Barney. Un quaderno dedicato ai monologhi di Sylvester Stallone. Amici, roba forte.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"751\" height=\"1024\" src=\"https:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6240-751x1024.jpg\" alt=\"\" class=\"wp-image-1109\" srcset=\"http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6240-751x1024.jpg 751w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6240-220x300.jpg 220w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6240-768x1047.jpg 768w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6240-1126x1536.jpg 1126w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6240-690x941.jpg 690w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6240-980x1336.jpg 980w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6240.jpg 1466w\" sizes=\"(max-width: 751px) 100vw, 751px\" \/><\/figure>\n\n\n\n<p>\/<\/p>\n\n\n\n<p><strong>Apologia del disertore<\/strong><\/p>\n\n\n\n<p>Esercizi di pareidolia, due. 2021. Nihil Obstat.<\/p>\n\n\n\n<p>Jena Plissken: eroe, criminale, star, fuggiasco. Il pi\u00f9 grande eroe del \u201cmio\u201d cinema.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"758\" height=\"1024\" src=\"https:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6239-758x1024.jpg\" alt=\"\" class=\"wp-image-1110\" srcset=\"http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6239-758x1024.jpg 758w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6239-222x300.jpg 222w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6239-768x1038.jpg 768w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6239-1136x1536.jpg 1136w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6239-690x933.jpg 690w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6239-980x1325.jpg 980w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6239.jpg 1445w\" sizes=\"(max-width: 758px) 100vw, 758px\" \/><\/figure>\n\n\n\n<p>\/<\/p>\n\n\n\n<p><strong>Demolire le Utopie<\/strong><\/p>\n\n\n\n<p>Esercizi di pareidolia, uno. 2021. Nihil Obstat.<\/p>\n\n\n\n<p>Su John Spartan, sul futuro e su come demolirlo.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"746\" height=\"1024\" src=\"https:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6238-746x1024.jpg\" alt=\"\" class=\"wp-image-1111\" srcset=\"http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6238-746x1024.jpg 746w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6238-219x300.jpg 219w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6238-768x1054.jpg 768w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6238-1119x1536.jpg 1119w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6238-690x947.jpg 690w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6238-980x1345.jpg 980w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6238.jpg 1419w\" sizes=\"(max-width: 746px) 100vw, 746px\" \/><\/figure>\n\n\n\n<p>\/<\/p>\n\n\n\n<p><strong>Teoria e pratica del ready-made<\/strong>. Cento voci sul bell\u2019e pronto.<\/p>\n\n\n\n<p>2021. Riedizione di TePdR-M per Sartoria editoriale di Postmediabooks.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"669\" height=\"1024\" src=\"https:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6266-669x1024.jpg\" alt=\"\" class=\"wp-image-1112\" srcset=\"http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6266-669x1024.jpg 669w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6266-196x300.jpg 196w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6266-768x1175.jpg 768w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6266-1004x1536.jpg 1004w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6266-690x1056.jpg 690w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6266-980x1499.jpg 980w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6266.jpg 1317w\" sizes=\"(max-width: 669px) 100vw, 669px\" \/><\/figure>\n\n\n\n<p>\/<\/p>\n\n\n\n<p><strong>Teoria e pratica del ready-made<\/strong>. Un libro fai-da-te sul trovato-fatto, in cento voci.<\/p>\n\n\n\n<p>2020. Nihil Obstat.<\/p>\n\n\n\n<p>Citazione e commento: cento riflessioni, non sempre pertinenti, sul ready-made e tutto il resto.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"788\" height=\"1024\" src=\"https:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6243-788x1024.jpg\" alt=\"\" class=\"wp-image-1113\" srcset=\"http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6243-788x1024.jpg 788w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6243-231x300.jpg 231w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6243-768x998.jpg 768w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6243-1182x1536.jpg 1182w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6243-690x896.jpg 690w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6243-980x1273.jpg 980w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6243.jpg 1545w\" sizes=\"(max-width: 788px) 100vw, 788px\" \/><\/figure>\n\n\n\n<p>\/<\/p>\n\n\n\n<p><strong>Ready\/Merz<\/strong><\/p>\n\n\n\n<p>2014. Nihil Obstat<\/p>\n\n\n\n<p>Cos\u2019\u00e8 l\u2019arte contemporanea? Come funziona l\u2019arte contemporanea? Esiste l\u2019arte contemporanea?<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"760\" height=\"1024\" src=\"https:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6237-760x1024.jpg\" alt=\"\" class=\"wp-image-1107\" srcset=\"http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6237-760x1024.jpg 760w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6237-223x300.jpg 223w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6237-768x1035.jpg 768w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6237-1139x1536.jpg 1139w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6237-690x930.jpg 690w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6237-980x1321.jpg 980w, http:\/\/www.danielemonarca.it\/wordpress\/wp-content\/uploads\/2024\/04\/IMG_6237.jpg 1451w\" sizes=\"(max-width: 760px) 100vw, 760px\" \/><\/figure>\n\n\n\n<p>\/<\/p>\n\n\n\n<p>RECENSIONI E ALTRI TESTI<\/p>\n\n\n\n<p>ArtsLife. 27 dicembre 2025<\/p>\n\n\n\n<p><strong>Obnubi #7. Fiducia nell\u2019umano, platinum<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-artslife wp-block-embed-artslife\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"fI8vQxLswL\"><a href=\"https:\/\/artslife.com\/2025\/12\/27\/obnubi-7-fiducia-nellumano-platinum\/\">Obnubi #7. Fiducia nell\u2019umano, Platinum<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Obnubi #7. Fiducia nell\u2019umano, Platinum&#8221; &#8212; ArtsLife\" src=\"https:\/\/artslife.com\/2025\/12\/27\/obnubi-7-fiducia-nellumano-platinum\/embed\/#?secret=jwk5uPuYgx#?secret=fI8vQxLswL\" data-secret=\"fI8vQxLswL\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>*<\/p>\n\n\n\n<p>ArtsLife. 24 dicembre 2025<\/p>\n\n\n\n<p><strong>Donne illuminate, opere luminose<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-artslife wp-block-embed-artslife\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"CCJDInm055\"><a href=\"https:\/\/artslife.com\/2025\/12\/24\/donne-illuminate-opere-luminose\/\">Donne illuminate, opere luminose<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Donne illuminate, opere luminose&#8221; &#8212; ArtsLife\" src=\"https:\/\/artslife.com\/2025\/12\/24\/donne-illuminate-opere-luminose\/embed\/#?secret=nuihtCAUhl#?secret=CCJDInm055\" data-secret=\"CCJDInm055\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>*<\/p>\n\n\n\n<p>ArtsLife. 24 novembre 2025<\/p>\n\n\n\n<p><strong>Senza Titolo. Il silenzio come linguaggio dell\u2019arte<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-artslife wp-block-embed-artslife\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"4ilYusDHzg\"><a href=\"https:\/\/artslife.com\/2025\/11\/24\/senza-titolo-il-silenzio-come-linguaggio-dellarte\/\">Senza Titolo. Il silenzio come linguaggio dell\u2019arte<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Senza Titolo. Il silenzio come linguaggio dell\u2019arte&#8221; &#8212; ArtsLife\" src=\"https:\/\/artslife.com\/2025\/11\/24\/senza-titolo-il-silenzio-come-linguaggio-dellarte\/embed\/#?secret=abMHmwLKVh#?secret=4ilYusDHzg\" data-secret=\"4ilYusDHzg\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>*<\/p>\n\n\n\n<p>ArtsLife. 16 novembte 2025<\/p>\n\n\n\n<p><strong>Obnubi #6. Aggiudicato. Un quadro, un ricordo e una riflessione sul collezionismo<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-artslife wp-block-embed-artslife\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"ejnKhyFwdc\"><a href=\"https:\/\/artslife.com\/2025\/11\/16\/obnubi-6-aggiudicato-un-quadro-un-ricordo-e-una-riflessione-sul-collezionismo\/\">Obnubi 6. Aggiudicato! Un quadro, un ricordo e una riflessione sul collezionismo<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Obnubi 6. Aggiudicato! Un quadro, un ricordo e una riflessione sul collezionismo&#8221; &#8212; ArtsLife\" src=\"https:\/\/artslife.com\/2025\/11\/16\/obnubi-6-aggiudicato-un-quadro-un-ricordo-e-una-riflessione-sul-collezionismo\/embed\/#?secret=RCsD263VFt#?secret=ejnKhyFwdc\" data-secret=\"ejnKhyFwdc\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>*<\/p>\n\n\n\n<p>ArtsLife. 3 novembre 2025<\/p>\n\n\n\n<p><strong>Cristina Mittermeier. L\u2019etica attraverso l\u2019estetica<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-artslife wp-block-embed-artslife\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"8dnvEZrFVs\"><a href=\"https:\/\/artslife.com\/2025\/11\/03\/cristina-mittermeier-letica-attraverso-lestetica\/\">Cristina Mittermeier. L\u2019Etica attraverso l\u2019Estetica<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Cristina Mittermeier. L\u2019Etica attraverso l\u2019Estetica&#8221; &#8212; ArtsLife\" src=\"https:\/\/artslife.com\/2025\/11\/03\/cristina-mittermeier-letica-attraverso-lestetica\/embed\/#?secret=cBEqwGyQx3#?secret=8dnvEZrFVs\" data-secret=\"8dnvEZrFVs\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>*<\/p>\n\n\n\n<p>ArtsLife. 5 ottobre 2025<\/p>\n\n\n\n<p><strong>Obnubi #5. Le porte della percezione<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-artslife wp-block-embed-artslife\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"sFV04C9tcO\"><a href=\"https:\/\/artslife.com\/2025\/10\/05\/obnubi-5-le-porte-della-percezione\/\">Obnubi #5. Le porte della percezione<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Obnubi #5. Le porte della percezione&#8221; &#8212; ArtsLife\" src=\"https:\/\/artslife.com\/2025\/10\/05\/obnubi-5-le-porte-della-percezione\/embed\/#?secret=zUtRNWqP3c#?secret=sFV04C9tcO\" data-secret=\"sFV04C9tcO\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>*<\/p>\n\n\n\n<p>ArtsLife. 4 ottobre 2025<\/p>\n\n\n\n<p><strong>Muralismi e moralismi per attraversare muri<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-artslife wp-block-embed-artslife\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"tClJ5P33kz\"><a href=\"https:\/\/artslife.com\/2025\/10\/04\/muralismi-e-moralismi-per-attraversare-muri\/\">Muralismi e moralismi per attraversare muri<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Muralismi e moralismi per attraversare muri&#8221; &#8212; ArtsLife\" src=\"https:\/\/artslife.com\/2025\/10\/04\/muralismi-e-moralismi-per-attraversare-muri\/embed\/#?secret=U8wSSUBbMs#?secret=tClJ5P33kz\" data-secret=\"tClJ5P33kz\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>*<\/p>\n\n\n\n<p>Il giornale dell\u2019Arte. 16 settembre 2025<\/p>\n\n\n\n<p><strong>Maria Calderara e Satoshi Hirose, elogio della leggerezza<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.ilgiornaledellarte.com\/Articolo\/Maria-Calderara-e-Satoshi-Hirose-elogio-della-leggerezza\">https:\/\/www.ilgiornaledellarte.com\/Articolo\/Maria-Calderara-e-Satoshi-Hirose-elogio-della-leggerezza<\/a><\/p>\n\n\n\n<p>*<\/p>\n\n\n\n<p>ArtsLife 12 agosto 2025<\/p>\n\n\n\n<p><strong>Obnubi #4. Seneb, Senetyotes e Aby Warburg<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-artslife wp-block-embed-artslife\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"rzg1mgrXui\"><a href=\"https:\/\/artslife.com\/2025\/08\/12\/obnubi-4-seneb-senetyotes-e-aby-warburg\/\">Obnubi #4 Seneb, Senetyotes e Aby Warburg<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Obnubi #4 Seneb, Senetyotes e Aby Warburg&#8221; &#8212; ArtsLife\" src=\"https:\/\/artslife.com\/2025\/08\/12\/obnubi-4-seneb-senetyotes-e-aby-warburg\/embed\/#?secret=5gh7u5hN98#?secret=rzg1mgrXui\" data-secret=\"rzg1mgrXui\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>*<\/p>\n\n\n\n<p>ArtsLife. 14 Luglio 2025<\/p>\n\n\n\n<p><strong>Obnubi #3. Il Belvedere. Il turista, Tom\u00e1s Saraceno e l\u2019Utopia<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-artslife wp-block-embed-artslife\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"B62pFkmrqs\"><a href=\"https:\/\/artslife.com\/2025\/07\/14\/obnubi-3-il-belvedere-il-turista-tomas-saraceno-e-lutopia\/\">Obnubi #3. Il Belvedere. Il turista, Tom\u00e1s Saraceno e l\u2019Utopia<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Obnubi #3. Il Belvedere. Il turista, Tom\u00e1s Saraceno e l\u2019Utopia&#8221; &#8212; ArtsLife\" src=\"https:\/\/artslife.com\/2025\/07\/14\/obnubi-3-il-belvedere-il-turista-tomas-saraceno-e-lutopia\/embed\/#?secret=3kmN1W6fgB#?secret=B62pFkmrqs\" data-secret=\"B62pFkmrqs\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>*<\/p>\n\n\n\n<p>ArtsLife. 28 giugno 2025<\/p>\n\n\n\n<p><strong>Obnubi #2. Il sabato del villaggio. Gli spettatori \u201cimprevisti\u201d e l\u2019arte contemporanea<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-artslife wp-block-embed-artslife\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"153Z4SNYTI\"><a href=\"https:\/\/artslife.com\/2025\/06\/28\/obnubi-2-il-sabato-del-villaggio-gli-spettatori-imprevisti-e-larte-contemporanea\/\">Obnubi #2. Il sabato del villaggio. Gli spettatori \u201cimprevisti\u201d e l\u2019arte contemporanea<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Obnubi #2. Il sabato del villaggio. Gli spettatori \u201cimprevisti\u201d e l\u2019arte contemporanea&#8221; &#8212; ArtsLife\" src=\"https:\/\/artslife.com\/2025\/06\/28\/obnubi-2-il-sabato-del-villaggio-gli-spettatori-imprevisti-e-larte-contemporanea\/embed\/#?secret=ms8qioJ773#?secret=153Z4SNYTI\" data-secret=\"153Z4SNYTI\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>*<\/p>\n\n\n\n<p>ArtsLife. 29 maggio 2025<\/p>\n\n\n\n<p><strong>Obnubi #1. Se non fosse: il Riposo, la violenza, la bellezza e il turbamento<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-artslife wp-block-embed-artslife\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"6newFEV6jl\"><a href=\"https:\/\/artslife.com\/2025\/05\/29\/obnubi-1-se-non-fosse-il-riposo-la-violenza-la-bellezza-e-il-turbamento\/\">Obnubi # 1. Se non fosse: il Riposo, la violenza, la bellezza e il turbamento<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Obnubi # 1. Se non fosse: il Riposo, la violenza, la bellezza e il turbamento&#8221; &#8212; ArtsLife\" src=\"https:\/\/artslife.com\/2025\/05\/29\/obnubi-1-se-non-fosse-il-riposo-la-violenza-la-bellezza-e-il-turbamento\/embed\/#?secret=KghK9OCI20#?secret=6newFEV6jl\" data-secret=\"6newFEV6jl\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>*<\/p>\n\n\n\n<p>ArtsLife. 20 gennaio 2025<\/p>\n\n\n\n<p><strong>Lo stile del tempo, ne \u201cla voce del diavolo\u201d.<\/strong><\/p>\n\n\n\n<p>Recensione al libro di Fabriano Fabbri, Einaudi.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-artslife wp-block-embed-artslife\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"iqAWcBtO1h\"><a href=\"https:\/\/artslife.com\/2025\/01\/20\/lo-stile-del-tempo-ne-la-voce-del-diavolo\/\">Lo stile del tempo, ne &#8220;La voce del diavolo&#8221;<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Lo stile del tempo, ne &#8220;La voce del diavolo&#8221;&#8221; &#8212; ArtsLife\" src=\"https:\/\/artslife.com\/2025\/01\/20\/lo-stile-del-tempo-ne-la-voce-del-diavolo\/embed\/#?secret=XH7BoQ6zMt#?secret=iqAWcBtO1h\" data-secret=\"iqAWcBtO1h\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>*<\/p>\n\n\n\n<p>ArtsLife. 19 febbraio 2025<\/p>\n\n\n\n<p><strong>Piero Gilardi, o come diventare esperto rosso<\/strong><\/p>\n\n\n\n<p>Recensione al libro su Piero Gilardi, Postmedia Books<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-artslife wp-block-embed-artslife\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"JZezPnTBqH\"><a href=\"https:\/\/artslife.com\/2025\/02\/19\/piero-gilardi-o-come-diventare-esperto-rosso\/\">Piero Gilardi, o come diventare &#8220;Esperto Rosso&#8221;<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Piero Gilardi, o come diventare &#8220;Esperto Rosso&#8221;&#8221; &#8212; ArtsLife\" src=\"https:\/\/artslife.com\/2025\/02\/19\/piero-gilardi-o-come-diventare-esperto-rosso\/embed\/#?secret=Mqfbbm3iAc#?secret=JZezPnTBqH\" data-secret=\"JZezPnTBqH\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>*<\/p>\n\n\n\n<p>ArtsLife. 1 gennaio 2025<\/p>\n\n\n\n<p><strong>Louise Bourgeois oltre l\u2019abituale.<\/strong><\/p>\n\n\n\n<p>Recensione a Beyond the Habitual, Postmedia Books<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-artslife wp-block-embed-artslife\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"f2UiBJpJZR\"><a href=\"https:\/\/artslife.com\/2025\/01\/01\/louise-bourgeois-oltre-labituale\/\">Louise Bourgeois, oltre l\u2019abituale<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Louise Bourgeois, oltre l\u2019abituale&#8221; &#8212; ArtsLife\" src=\"https:\/\/artslife.com\/2025\/01\/01\/louise-bourgeois-oltre-labituale\/embed\/#?secret=RlugYwM1UG#?secret=f2UiBJpJZR\" data-secret=\"f2UiBJpJZR\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>***<\/p>\n\n\n\n<p>ArtsLife. 12 novembre 2024<\/p>\n\n\n\n<p><strong>Tutto qua? Note critiche su Ai-Da e sul suo \u201ccapolavoro\u201d artificioso.<\/strong><\/p>\n\n\n\n<p>Il robot umanoide dipinge, e cosa dipinge?<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-artslife wp-block-embed-artslife\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"hejISBJUgm\"><a href=\"https:\/\/artslife.com\/2024\/11\/12\/tutto-qua-note-su-ai-da-e-sul-suo-capolavoro-artificioso\/\">Tutto qua? Note su Ai-Da e sul suo &#8220;capolavoro&#8221; artificioso<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Tutto qua? Note su Ai-Da e sul suo &#8220;capolavoro&#8221; artificioso&#8221; &#8212; ArtsLife\" src=\"https:\/\/artslife.com\/2024\/11\/12\/tutto-qua-note-su-ai-da-e-sul-suo-capolavoro-artificioso\/embed\/#?secret=dzXYKymW0z#?secret=hejISBJUgm\" data-secret=\"hejISBJUgm\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>*<\/p>\n\n\n\n<p>Area Arte. Autunno 2024<\/p>\n\n\n\n<p><strong>Vedere senz\u2019occhi<\/strong><\/p>\n\n\n\n<p>Testo sui quadri neri di Bruno Lucca per la rivista diretta da Giovanna Grossato.<\/p>\n\n\n\n<p>*<\/p>\n\n\n\n<p>ArtsLife. 30 luglio 2024<\/p>\n\n\n\n<p><strong>Il premio di ogni dialogo: Piero Manzoni diventa stile.<\/strong><\/p>\n\n\n\n<p>Sull\u2019incontro tra Maria Calderara e Piero Manzoni<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-artslife wp-block-embed-artslife\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"nCKLLBCHZB\"><a href=\"https:\/\/artslife.com\/2024\/07\/30\/il-premio-di-ogni-dialogo-piero-manzoni-diventa-stile\/\">Il premio di ogni dialogo: Piero Manzoni diventa stile<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Il premio di ogni dialogo: Piero Manzoni diventa stile&#8221; &#8212; ArtsLife\" src=\"https:\/\/artslife.com\/2024\/07\/30\/il-premio-di-ogni-dialogo-piero-manzoni-diventa-stile\/embed\/#?secret=Myj1YLHC53#?secret=nCKLLBCHZB\" data-secret=\"nCKLLBCHZB\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>*<\/p>\n\n\n\n<p>ArtsLife. 21 giugno 2024<\/p>\n\n\n\n<p><strong>Multum in parvo: il Museo Burel a Belluno<\/strong><\/p>\n\n\n\n<p>Visita al Museo Burel di Belluno<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-artslife wp-block-embed-artslife\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"KbRLvCv3RN\"><a href=\"https:\/\/artslife.com\/2024\/06\/21\/multum-in-parvo-il-museo-burel-a-belluno\/\">Multum in parvo: il museo Burel, a Belluno<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Multum in parvo: il museo Burel, a Belluno&#8221; &#8212; ArtsLife\" src=\"https:\/\/artslife.com\/2024\/06\/21\/multum-in-parvo-il-museo-burel-a-belluno\/embed\/#?secret=5HAzZhTZT8#?secret=KbRLvCv3RN\" data-secret=\"KbRLvCv3RN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>*<\/p>\n\n\n\n<p>ArtsLife. 11 maggio 2024<\/p>\n\n\n\n<p><strong>Il plagiatore plagiato.<\/strong><\/p>\n\n\n\n<p>Sulla causa per plagio intentata da Anthony James a Maurizio Cattelan<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-artslife wp-block-embed-artslife\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"3W8tlPBaDw\"><a href=\"https:\/\/artslife.com\/2024\/05\/11\/cattelan-il-plagiatore-plagiato\/\">Il plagiatore plagiato<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Il plagiatore plagiato&#8221; &#8212; ArtsLife\" src=\"https:\/\/artslife.com\/2024\/05\/11\/cattelan-il-plagiatore-plagiato\/embed\/#?secret=KWFOalvVy3#?secret=3W8tlPBaDw\" data-secret=\"3W8tlPBaDw\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>*<\/p>\n\n\n\n<p>ArtsLife. 13 marzo 2024<\/p>\n\n\n\n<p><strong>Eric Hebborn (uno dei pi\u00f9 grandi falsari della storia): l\u2019intelligenza naturale della mano<\/strong><\/p>\n\n\n\n<p>Libro: Il linguaggio della linea, Angelo Colla editore.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-artslife wp-block-embed-artslife\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"r3gaiCLPIZ\"><a href=\"https:\/\/artslife.com\/2024\/03\/13\/eric-hebborn-uno-dei-piu-grandi-falsari-della-storia-lintelligenza-naturale-della-mano\/\">Eric Hebborn (uno dei pi\u00f9 grandi falsari della storia): l\u2019intelligenza naturale della mano<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Eric Hebborn (uno dei pi\u00f9 grandi falsari della storia): l\u2019intelligenza naturale della mano&#8221; &#8212; ArtsLife\" src=\"https:\/\/artslife.com\/2024\/03\/13\/eric-hebborn-uno-dei-piu-grandi-falsari-della-storia-lintelligenza-naturale-della-mano\/embed\/#?secret=KjVNxR8Z4C#?secret=r3gaiCLPIZ\" data-secret=\"r3gaiCLPIZ\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>*<\/p>\n\n\n\n<p>Doppiozero. 7 gennaio 2024<\/p>\n\n\n\n<p><strong>Vicenza: l\u2019arte sfida il tempo.<\/strong><\/p>\n\n\n\n<p>Recensione della mostra Caravaggio, Van Dyck, Sassolino il Basilica<\/p>\n\n\n\n<p><a href=\"https:\/\/www.doppiozero.com\/vicenza-larte-sfida-il-tempo\">https:\/\/www.doppiozero.com\/vicenza-larte-sfida-il-tempo<\/a><\/p>\n\n\n\n<p>***<\/p>\n\n\n\n<p>ArtsLife. 13 dicembre 2023<\/p>\n\n\n\n<p><strong>I problemi di creare, vendere e comprare: l\u2019opera d\u2019arte in tribunale.<\/strong><\/p>\n\n\n\n<p>Recensione al libro di Alessandra Donati e Novelio Furin.<\/p>\n\n\n\n<p>*<\/p>\n\n\n\n<p>ArtsLife. 9 novembre 2023<\/p>\n\n\n\n<p><strong>Fantastico reale. Oscar Giaconia alla Fondazione Coppola di Vicenza<\/strong>.<\/p>\n\n\n\n<p>Sulla mostra alla Fondazione Coppola.<\/p>\n\n\n\n<p>*<\/p>\n\n\n\n<p>Artribune. 21 marzo 2023<\/p>\n\n\n\n<p><strong>La collaborazione fra la stilista Maria Calderara e l\u2019artista Luca Maria Patella<\/strong>.<\/p>\n\n\n\n<p>Questo \u00e8 burro, un testo per una collezione di Maria Calderara.<\/p>\n\n\n\n<p>*<\/p>\n\n\n\n<p>ArtsLife. 5 gennaio 2023<\/p>\n\n\n\n<p><strong>Stranieri a noi stessi: alla ricerca delle porzioni di cielo di Luca De Angelis.<\/strong><\/p>\n\n\n\n<p>Recensione della mostra alla Fondazione Coppola.<\/p>\n\n\n\n<p>*<\/p>\n\n\n\n<p>Doppiozero. 16 agosto 2022<\/p>\n\n\n\n<p><strong>DAN! La vita nuova di Luca Maria Patella<\/strong>.<\/p>\n\n\n\n<p>Recensione al libro &#8220;DAN&#8221; di Luca Maria Patella.<\/p>\n\n\n\n<p>*<\/p>\n\n\n\n<p>Exibart. 28 febbraio 2021<\/p>\n\n\n\n<p><strong>L\u2019ostinatamente eccentrico riletto.<\/strong><\/p>\n\n\n\n<p>Recensione al libro di Elio Grazioli, &#8220;Luca Maria Patella disvelato&#8221;.<\/p>\n\n\n\n<p>*<\/p>\n\n\n\n<p>Artribune. 1 gennaio 2020<\/p>\n\n\n\n<p><strong>L\u2019arte contemporanea in versione romanzata. La nuova edizione del libro di Serena Giordano.<\/strong><\/p>\n\n\n\n<p>Recensione al libro di Serena Giordano &#8220;Il dentista di Duchamp&#8221;.<\/p>\n\n\n\n<p>*<\/p>\n\n\n\n<p><strong>Il luogo del senso<\/strong><\/p>\n\n\n\n<p>2023. Incipit. Testo per la mostra di Fabio Ferrando.<\/p>\n\n\n\n<p>*<\/p>\n\n\n\n<p><strong>Accompagnare la Forma<\/strong><\/p>\n\n\n\n<p>2022. Il luogo delle nuvole. Testo per la mostra di Agostino Gallio a Villa Caldogno.<\/p>\n\n\n\n<p>*<\/p>\n\n\n\n<p><strong>Viaggio intorno alla mia stanza<\/strong><\/p>\n\n\n\n<p>2016. Weber&amp;Weber arte Contemporanea, Torino. Testo (e progetto) per la mostra di Bruno Lucca.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Attivit\u00e0 editoriale fai-da-te, scritti d\u2019occasione e pagine sparse. LIBRI E QUADERNI Sylvester dice cose Esercizi di pareidolia, tre. 2022. Nihil Obstat. Rocky, Rambo, Barney. Un quaderno dedicato ai monologhi di Sylvester Stallone. Amici, roba forte. \/ Apologia del disertore Esercizi di pareidolia, due. 2021. Nihil Obstat. Jena Plissken: eroe, criminale, star, fuggiasco. Il pi\u00f9 grande [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.danielemonarca.it\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/1103"}],"collection":[{"href":"http:\/\/www.danielemonarca.it\/wordpress\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.danielemonarca.it\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.danielemonarca.it\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.danielemonarca.it\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1103"}],"version-history":[{"count":13,"href":"http:\/\/www.danielemonarca.it\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/1103\/revisions"}],"predecessor-version":[{"id":1184,"href":"http:\/\/www.danielemonarca.it\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/1103\/revisions\/1184"}],"wp:attachment":[{"href":"http:\/\/www.danielemonarca.it\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.danielemonarca.it\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1103"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.danielemonarca.it\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}